black and white mens dress shoes Aris Allen - Wingtip Spectator Black & White
SKU: 74920644982
black and white mens dress shoes

black and white mens dress shoes Aris Allen - Wingtip Spectator Black & White

Sale price$26.15 Regular price$29.06
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Description

black and white mens dress shoes Aris Allen - Wingtip Spectator Black & WhiteWe are selling all of our slightly imperfect inventory off at a hefty discount! We originally sold these at $179. 95. They are handmade dress shoes. They have a spot, mark, or wrinkle on them. If you're ok with that stock up now! And yes, they are returnable. Just don't step off the rug until you're sure they fit. Handmade Swing Era dress shoes in the style of a spectator wingtip from the 1946 Sears and Roebuck Catalog. And when we say "handmade" we

  • We are selling all of our slightly imperfect inventory off at a hefty discount! We originally sold these at $179.95. They are handmade dress shoes. They have a spot, mark, or wrinkle on them. If you're ok with that stock up now! And yes, they are returnable. Just don't step off the rug until you're sure they fit.
  • Handmade Swing Era dress shoes in the style of a spectator wingtip from the 1946 Sears and Roebuck Catalog. And when we say "handmade" we mean it. Every one of these has been individually cut and assembled by hand.
  • These are made specifically for dancing on dance floors - DO NOT wear them outside.
  • Features the Aris Allen Raw Sole: a flexible leather sole and heel made especially to provide you with the action you want on the dance floor. Ask any dance instructor: the “fastness” of the sole forces you to “find your center” immediately.
  • This is a slightly roomy style - customer feedback says it's a smitch taller than what they are used to. See sizing recommendations below.
  • Heel height is approximately 1".
  • Item #: 477-BW

SIZING TIPS - (ALL SHOES ARE USA SIZES):
(Our returns show we are right about 90% of the time)

These are running a little smaller than true-to-size. So start with your men's dress shoe size - the size you measure on the Brannock Device (the metal thing at the shoe store) - and go up a half size. Unless you are just a little smaller than the size you usually wear - then stay at that size. Call us if you need help figuring out your size.

Narrow width: 
Test dancers with narrow feet had to put thin inserts in them to get a good fit. If you are in between sizes the smaller of the two might be best for you.

Medium width:
Stick with your usual size if it's sometimes a little too long. If you are in between two sizes then go up a half size. Add a thin insert if it's the perfect length but a bit too roomy inside.

Wide width: 
These are roomy but are not made for wide feet. For instance; our 9.5 EEE test dancer could wear a size 10 but prefers our wide captoe instead.

BALMORAL STYLE:

These are traditional wingtips constructed in the Balmoral style. This means they are stitched across the ball of the foot and cannot be loosened or tightened the way a “Blucher” styled shoe can. Because of this they are not a good choice for anyone with extremely wide or narrow feet. Our Captoes have Blucher construction and are better suited for a wider variety of foot widths. Check out Swing Shoes 101 for more about this.

ABOUT THE ARIS ALLEN RAW SOLE:

  • The Aris Allen Raw Sole is made from flexible hard leather that gets a little “faster” over time by repeatedly absorbing the natural humidity in the air (especially at a dance) and drying. The bottom of the sole and heel is made from sanded hard leather and performs a lot like Chrome Leather (suede) which allows you to spin and slide, and still control the floor. If you find the sole has picked up dirt from the floor and is slowing down, just shuffle your feet on the sidewalk once or twice to refresh it.
  • The raw leather surface is designed for the intermediate / advanced dancer - but they're also great as a second pair for beginners... the “fastness” of the sole forces you to “find your center” immediately.
  • This style was created to give you a shoe that is similar to what was being worn when swing dancing was invented. If you want to look authentic on the dance floor you need to be wearing the same thing that dancers were wearing in the 20s, 30s, and 40s.

ABOUT THE CONSTRUCTION OF THESE SHOES:

They are absolutely 100% handmade. The cutting of the leather is done by hand - not stamped out, the glue is put on with a brush, not a machine, and the sewing, while done with a sewing machine, is done one at a time. You can even see the occasional pencil mark! This means that the shoe on your foot is the product of a craftsman who sees the shoe from start to finish. This also explains why you will find the occasional imperfection. They are made one at a time.

Shipping Notes
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Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 74920644982

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Ken Kardash
Birmingham, US
★★★★★ 4
Rediscovering America
This is an eye-opening, scholarly rebuttal to common perceptions about native American society before and after the European invasion. Ronald Wright makes no secret of his bias in favor of the people who were here first; in fact, he enhances the impact of what for many will be new information by presenting this extraordinary history from the point of view of the conquered. He also makes clear how large a part of the conquest was due to immune system rather than military deficiencies: if smallpox and other diseases had not done killed most of the native population, the facts recounted here suggest that history, particularly in South America, may have evolved quite differently. In undertaking the massive task of recounting the invasion of all of the Americas, some selectivity is inevitable. Wright has chosen to focus on the story of five distinct native groups: Aztec, Maya, Inca, Cherokee and Iroquois. He then arbitrarily subdivides the story into three consecutive time periods: Conquest, Resistance and Rebirth. After the physical and political annihilation recounted in the first two sections, the title of the third may seem overly optimistic, particularly for the Guatemalan Maya. However, the concluding tone is more conciliatory and hopeful than mournful, particularly in the Afterword that updates matters to 2005, 13 years after the original publication date. The astounding amount of research involved in producing this admittedly selective overview is well-indexed and annotated. My only quibble is that Wright, obviously an expert in the field of native culture, sometimes borders on the compulsive in matters of linguistic authenticity. I did not buy this book to learn ancient native languages, let alone their pronunciation, and at times I found the inclusion of such trivia distracted from rather than enhanced the otherwise convincing scholarship. This obsession with accuracy is commendable, but after getting it out of his system in the Author's note, his amazing narrative would have been no less compelling if he stuck to the language of his contemporary audience. Also, for an author who has settled in British Columbia, it is strangely disappointing that the rich history of the Pacific Northwest coastal natives was not among those he chose to examine. I had read Charles Mann's "1491" prior to this book and found it primed my interest in the subject; both are excellent introductions to the reality of pre-Columbian American societies, but Stolen Continents provides more of a historical context for what has become of them.
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Reviewed in the United States on October 13, 2008
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Irving Dozier
Lake Worth, US
★★★★★ 5
... true things that really went on to know very great
Format: Hardcover
lots of true things that really went on to know very great book
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Reviewed in the United States on October 13, 2016
A
A. Jimenez
Grantham, US
★★★★★ 3
Well intentioned but ignorant
It's clear that this author is well intentioned. He betrays his own ignorance in trying to justify why his book only addreses certain native nations, however. The author indicates that the book did not address the native peoples of the Caribbean because they are extinct. To state that the Taino and Carib are extinct is at best extremely ignorant and at worst racist. The Taino and Carib are very much alive. To begin with, there is a reservation of Carib Indians on the island of Dominica. These native people have retained their language and culture. Further, there is a Taino Revival movement happening throughout the major Antilles especially in the Dominican Republic, Puerto Rico and Cuba. It has been scientifically proven via DNA analysis that these people are of partial and in some cases total native descent. The Taino language is being heard and taught again in the Caribbean and Taino culture has always been an integral part of the the customs and culture of the major Antilles. It is very unfortunate to know that even this author is ultimately just another white guy bent on ignoring " incovenient truths ".
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Reviewed in the United States on September 25, 2012
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Terry L.
Alexandria, US
★★★★★ 5
Recommend
Tells the other side of the story you didn't get in U.S. History class. Good read.
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Reviewed in the United States on May 15, 2015
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George Vargas
Cuba, US
★★★★★ 5
Five Stars
Outstanding book on the general history of European barbarism.
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Reviewed in the United States on December 26, 2017

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